Story Strategy + Full Service Production Company

FrameShift

Human stories built to move business—and made to work everywhere they need to live.

The FrameShift point of view

Content is everywhere.Only story builds trust.

A quick check-in about your business

Tell us what your business needs.

Question 1 of 5

What does your business need most right now?

Social series / Brand recognition + recruiting

Link Brokerages

Client: Link Brokerages

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Documentary / Brand positioning + capital campaign

Kitchens for Good

Client: Kitchens for Good

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Kitchens for Good

Documentary / Social enterprise / 03:23
Directed by Adam Linssen

The challenge

Kitchens for Good was preparing to buy a new building. Before that next chapter, they needed to define what the organization would look and sound like—and which story would carry it forward. The film had to establish that identity while making the mission credible through the people living it.

The approach

Across multiple working sessions, we met with staff and stakeholders to surface the real Kitchens for Good story and shape a clear narrative. We then interviewed the people at its center and spent two days in the kitchens with apprentices, employees, and program graduates, capturing the lived proof and B-roll that made the story tangible. Directed by Adam Linssen.

See more of our documentary work
Kitchens for Good participant preparing food in a commercial kitchen
Kitchens for Good chef smiling outside the restaurant
Manny Vasquez smiling during his Kitchens for Good interview
A Kitchens for Good team working together around a prep table
Batter being poured into baking cups in the Kitchens for Good kitchen
A Kitchens for Good cook working over a burst of flame

Documentary / Brand recognition + customer education

Grain of Salt

Client: Grain of Salt

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Grain of Salt

Documentary / Food and culture / 01:59

The challenge

Grain of Salt needed greater brand recognition and a way to teach customers about the craft behind its one-night dining experiences. The work needed the cinematic confidence of their high-end references without making the people or the experience feel distant, precious, or overworked.

The approach

We borrowed the visual ambition of references like Chef's Table, then kept the camera close to the people, preparation, and imperfect human rhythm that make Grain of Salt approachable. Cinematic food photography signaled quality; close observation kept the tone warm, unpretentious, and accessible.

Sauce being spooned over a plated course
A chef framed by steam while preparing dinner
A chef slicing truffles over a plated course
Close portrait of the Grain of Salt chef at work
Peach salads lined up for service at the Grain of Salt dinner
Chefs finishing dozens of dessert plates

Commercial / Product desire + technical differentiation

TEMPO

Client: Ludwig Drums

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TEMPO

Commercial / Ludwig Drums / 01:26
Directed by Joseph Sperber

The challenge

Ludwig makes instruments where craft, performance, and engineering are inseparable. The film needed to feel the same way: immediate and desirable as a product piece, but artfully honest to a live musical performance.

The approach

We designed the performance as one honest, uninterrupted live take, then built a motion-control system precise enough to repeat every camera move and lighting cue to the millisecond. A BOLT robotic arm let the camera move with the same discipline and responsiveness as the drums themselves. Directed by Joseph Sperber.

A camera crane filming a Ludwig drummer through blue and amber stage light
How we made it

TEMPO was built around a custom motion-control sequence on a BOLT robotic arm. We programmed repeatable camera moves around the drummer, then coordinated those moves with the performance and lighting cues so the technology served the rhythm of the piece.

A drummer performing in warm stage light
Overhead view of a Ludwig drum kit in performance
A drummer silhouetted in a focused amber spotlight
A Ludwig drummer surrounded by teal and amber stage light

About / Adam Linssen, Founder

Hi, I'm Adam.

I was born and raised in San Diego. I picked up a camera at 16 and have been making films ever since.

I entered the film industry as a cinematographer, working for brands including REI, Subaru, and ABC, and artists including Chris Brown and Post Malone.

I started FrameShift because I wanted to help businesses harness the power of storytelling. I watched my parents struggle with that in their own successful businesses. With one foot in production and the other in business, I knew I could bring something useful to the table.

Start with a conversation

Let’s find the story worth making.

Choose a time for a 30-minute working session. Once you’re booked, your confirmation email will point you to a short meeting brief so I can come in ready to talk about the real problem.

  1. 01
    Book the conversation

    Pick a time that works. The meeting stays focused and practical.

  2. 02
    Share the useful context

    Your confirmation email links to a private-feeling, four-minute brief.

  3. 03
    Skip the generic intro

    I read it before we meet, so we can begin with the opportunity.